Sunday, January 17, 2021

A New Wedding Painting


I recently finished the only wedding painting started in 2020.  All my plans for the year collapsed in March, along with everybody else's, when the lockdowns began.  Some of my clients rescheduled their weddings to 2021.  Some of them went ahead with their scheduled 2020 weddings, and for those, I canceled out.  Weddings are superspreader events and I didn't want to have anyone superspread to me.  Frankly, I was very surprised at the number of events that were held.  I had more inquiries for wedding paintings in 2020 than I had in any year before.  And I said no to all of them.  That is, until I got a note from Jessica.  She asked if I'd be interested in a virtual wedding.  A what?

Yes, that was right: a virtual wedding.  Their plan was to have an event where they, the officiant, the photographer, and the venue manager were the only ones onsite.  Everybody else, all family members and friends, were to be on Zoom.  Including me.  Well, there's a new idea.

So that's what we did.  On the Big Day, I was in my studio, working on creating their wedding painting, just like I would have been if I'd been at the event.  I had my iPhone set up on a tripod to record the painting's development and share it on Zoom.  Everybody watched what I was doing until the ceremony started, then again for a bit after the ceremony, First Dance, and online toasts.  Very cool!

A day or two later in the studio, I decided that my initial composition was crap.  So I got out my Painter's Emergency Repair Kit (a jar of white oil primer), painted over everything, and started from scratch.  Essentially, I zoomed way in, making them and the fireplace much larger and cropping out all the irrelevant sky, trees, and lawn.  Much mo' better.  I worked up the composition in drawings, transferred it to the canvas, and went to work.  The result is what you see here.

Since I wasn't physically onsite, I had to rely on some photographic resources.  The Old Edwards Inn provided me with some photos of the location.   And Jeff and Jessica's photographer, Abby Byrd, allowed me to use some of her photos as reference.  Without those two, this painting couldn't have happened.  Many many thanks to those two!

I'm really happy with the way this one turned out.  And, best of all, so are Jeff and Jessica. 

Sunday, December 27, 2020

Book Report: A Thousand Splendid Suns

 I just finished a wonderful book.  A Thousand Splendid Suns, by Khaled Hosseini, is a novel about two Afghan women.  It covers a period from about 1974 to 2003.  This was the beginning of an incredibly turbulent period in Afghanistan, one that is still ongoing.  It's a period of conflict between traditional ways, changing times, warlords, Soviets, invasions, the Taliban, and Americans, as told through the lives of these two women.  It's not necessarily pretty, but it is inspiring.

Khaled Hosseini is the author of The Kite Runner.  He was born in Kabul, Afghanistan, but has lived in the United States since 1980 and is an American citizen now.  He knows his native country well.  And he  knows how to write.  The people in this story are very real.  I knew people like them during my time in Kandahar.  Actually, I knew people like them in Baghdad as well, and I know people like them right here in western North Carolina.  People are people; it's their situations that are different.  If you're at all interested in Afghanistan, or in people living under extremely tough conditions, read A Thousand Splendid Suns.

Wednesday, December 23, 2020

K.T. Oslin Passing

 I was all set to make a post about goings-on in the studio until I heard that the singer K.T. Oslin passed away.  What a loss.  I discovered K.T. about the same time lots of other people did: around 1990.  At the time, I was in the early stages of an epic divorce and country music was THE music to listen to.  And K.T. was at the top of her game.

K.T. didn't write the usual first-love songs you hear from popular singers, or songs about her dog or pickup truck or other typical country things.  Her songs are for those of us who are a bit older, who've been around the block a few times, who've won some and lost some, been there and done that, and are still trying to figure it all out.  Songs like "80's Ladies", about three childhood friends growing up: "We've said "I do" and we signed "I don't" and we swore we'd never do that again".  (You really need to see the video on YouTube for this one.)  Or "Mary and Willie", two older single people whose unrealistically high expectations for possible mates ensures they never meet somebody that would be good for them.  And she could be funny: in "Hey Bobby", the protagonist is a young girl who's the one with a car and, with a sly knowing "trust me" purr, suggesting they go for a ride, completely turning the tables on the usual boy/girl storyline. 

Listening to a K.T. Oslin album, you'll hear stories of life's situations that we're all familiar with.  But nobody writes songs about them like her.  Few sing with the kind of personal feelings that she does.  You know she has lived every word of every song she ever wrote.  That's art.  

The paper said she had Parkinson's for the past few years and was in an assisted living facility.  Then she tested positive for COVID last week.  And now a great artist is gone.  So long, K.T., you're missed, but your music is still here, and I'm listening to it.

Thursday, December 10, 2020



It's been a bit of a journey, but one of the paintings I mentioned in my last post is finally done. Guardians is the second painting of a new series about a possible future. I'm very disturbed by the division, vitriol, and willful stupidity that is rampant in this country today. I've personally seen what divisions can do to a society: Bosnia's ethnic cleansing, Iraq's division between Shiite and Sunni, and Afghanistan's divisions between the Taliban insurgents and the corrupt government. And I'm imagining what those divisions would look like in this country if we keep going the way we're going. It's not a pretty sight. 

 A big focus for me with this painting, beyond the concept, as in the technical aspects of making the idea work.  I spent a lot of time on the composition, then on the execution in paint: colors, light/dark values, hard and soft edges, cool/warm balance, all with the goal of getting the viewer to see what I wanted them to see, in the order I wanted the different things to be seen.  I think it turned out pretty well.  The subject is certainly not one that people will find beautiful and want to hang over their couch, but that was never the point.  

The next couple of paintings to come out of the studio will be much more cheerful, I promise!

Friday, November 13, 2020

A Work In Progress

 Just because I haven't posted any new work of my own in a while doesn't mean I haven't been busy.  As noted in previous posts, I'm doing a lot of experimenting.  That means a lot of experiments fail and wind up in the trash.  But I'm learning a lot, even from the fails (maybe especially from the fails) and trying to build on that.

At some point, though, you have to stop experimenting and produce something.  I do, anyway.  So there are two paintings underway in the studio right now.  They're very different, which is kinda the way I work.  One painting is a riff on the artist and model.  There's nothing deep or complex there, but I'm trying to apply some lessons learned about putting paint on canvas.  That painting went sideways pretty quickly: I tried too many different new ideas, they collided, and I was about ready to slash it with a knife.  So I covered up a lot of problem areas with white paint and it's actually much more interesting now.  Once the paint dries (white paint takes forEVER to dry), I'll get back to work on it.  Maybe you'll see it here someday.

The other painting is much more complex.  It's part of my series on what could happen if we keep going the way we're going - a cautionary tale, sorta.  It's a wedding, only not like any wedding you've ever seen.  That's all I'll say about the painting's subject for now.  Instead, I'll talk about the process of putting it together.  

I'm using a wedding theme because I've done a lot of wedding paintings for clients and have a ton of reference photos.  I've had a strong idea of what I wanted the painting to say, so I did some very rough sketches to get an idea of the basic composition, including the light/dark areas, the initial focus, and what would be needed to flesh out the story.  Then I went through my stash of images, pulling out one person from this event, another person from that one, a key item from an entirely unrelated photo shoot, and so on.  Then more rough sketches to work through ideas.  I'm pretty crappy at using Photoshop, but eventually I put all these different items into one image.  Then I did a test painting, essentially a sketch in oil paint, and found some things that worked and others that didn't.  More refinement: throw out earlier ideas, bring in new ones, make more sketches.  

One question that I know is going to pop up is, if you're using Photoshop, why make sketches?  Well, because the Photoshop construction doesn't tell you much.  By doing sketches, you see the subtleties of shape, form, light, dark, and subject matter, and you get to understand the total image, and all of its parts, much better.  

I also use sketches in an old-school pre-Photoshop way.  I draw the environment on a large sheet of paper, then cut out the sketches of people and other items from my sketchbook and tape them down on the large sheet.  Then I move them around, put new things in, take other things out and refine the composition.  Should this figure be larger?  What about perspective?  Huh, now I see a line that runs from this woman's arm through that item over there - how to use that?  Should I play up this man's face, or play it down?  I want a particular effect of light here, so how do I get it?  Those are the types of things going through my head.

So, right now, I have worked out the composition for this painting.  I have the environment drawn on the large sheet, refined the drawings of the figures as much as they needed, and have them taped down in exactly the right positions.  Then I laid a sheet of tracing paper on top and drew a grid on it.  It's in the same relative dimension as the canvas is.  That's what you're seeing in the photo.  I'll draw a similar grid on the canvas, then use light charcoal to copy the composition onto the canvas.  And then I'll start painting.  

So that's where we are now.  Obviously, I still have a loooonnnggg way to go, maybe a month or two or three.  And maybe it'll get trashed.  But hey, that's life, huh?

Tuesday, November 10, 2020

Book Reports

 No, I'm not going to talk about the recent election and unfinished election business.  Too much has been written already.  Instead, I'm going to talk about two books that I just read.  Both are about the Civil War period, and both are very applicable to the country today.

The first is Team of Rivals by Doris Kearns Goodwin.  This is a long (750 pages text plus another 130 in tiny-font references) biography of Abraham Lincoln.  It covers his whole life, with particular attention to his candidacy for President and his handling of the office during the worst of the Civil War.  While we're often told that Lincoln was one of the two greatest Presidents ever, we aren't told that much about what he did.  We read the Emancipation Proclamation, his Gettysburg Address, maybe his second Inaugural Address, and then he was assassinated.  Goodwin goes into tremendous detail about the divisions of the 1850's and who Lincoln was.  He was extremely honest, especially for a politician.  He had an unmatched feeling for what the people of the country were feeling, what they would accept, how far he could or could not push things, and when to make a move.  He was against slavery, but even more, he was for holding the country together.  He knew how to take complex ideas and put them into the language that regular people could understand.  He cared incredibly deeply.  And he was a genius at keeping his Cabinet, his "team of rivals", together.  Many of them had actively run for President and been defeated by Lincoln, and some were actively angling to replace him.  And many of them were at each other's throats.  Yet Lincoln saw the value that they could bring to the country.  He was able to assuage their egos enough to keep them in their jobs and working together.  It was a truly masterful performance.

Compare that situation to today, where our country is again deeply divided.  We're not on the cusp of another civil war, but we need a President to bring us back together.  Instead, we have the most selfish, ego-driven, irrational, and dishonest President ever.  Instead of bringing us together, he's driving us apart for personal political and monetary gain.  He's the anti-Lincoln.  It will take several successors many years to undo the damage inflicted in the past four years, on top of the damage inflicted by partisan press in the decades before.  Do we have a leader of the caliber of Lincoln?  Anywhere?  I don't see it.  But I'll certainly give the Biden/Harris team a chance.

The other book is And the Crows Took Their Eyes, by Vicki Lane.  This is an historical novel based on  events that took place right here in Madison County, North Carolina, in January 1863.  Madison County was split between Unionists and Secessionists.  Many of the Unionists lived in a remote area called Shelton Laurel, while the Secessionists lived in the county seat of Marshall.  After North Carolina seceded, the two sides ratcheted up tensions and attacks, culminating in what is known as the Shelton Laurel Massacre, in which a local Confederate force murdered 13 men and boys.  The book follows five people on both sides of the divide.  Four were based on real people while one was created to tie the narrative together.  Ms. Lane's people speak in the way they would have at the time, whether they were uneducated farmers from the valleys or educated people from town.  She shows how the same event is seen from polar opposite viewpoints, how resentments can fester, how some people can rise above the situation and others fall to their basest instincts.  It's incredibly well-written. 

This book resonated with me for two reasons.  One, it's absolutely applicable to today, when we're so divided and unwilling to reach across to those who believe differently.  Are those on the other side absolutely wrong in their beliefs?  No, they're not.  But we behave as if they are, and if we follow those beliefs to their conclusion, the consequences will be terrible.  A second reason is that some of my great-great-grandparents lived in McNairy County, Tennessee, before, during, and after the Civil War.  McNairy County, like Madison County, was deeply divided.  My family members were very poor farmers on the Confederate side, living on farms outside a small town.  A wealthy Unionist landowner in the town raised a militia that committed a number of atrocities against Confederate sympathizers.  These acts, like the Shelton Laurel Massacre, were so out of bounds that they were condemned by both the Union and Confederate sides.  So this book brings to life the type of situation that my ancestors had to live.

So: here are two books that I strongly recommend.  They're pretty heavin reading.  I think I'm going to pick up a murder mystery next just so I can relax.

Sunday, October 25, 2020

Another Pet Portrait

 Last time, I showed you a small painting I did of Soozzee one of our two little Shih Tzus, who passed away about a year and a half ago.  I just did one of her sister, Indy, who passed away just under three years ago.  Both paintings are 16"x12".  

It turned out pretty well, I think.  We'll let these two paintings dry for a bit, then I'll varnish them both and get some frames, and they'll hang here in the house somewhere.  It'll be nice to have portraits of our two daughters always with us.