A few days ago, I received an email from a post that I subscribe to. The writer spoke of a friend of his named "Bill". "Bill" is a stockbroker, but isn't happy with his life. He see's Robert (the writer) making a lot of money selling his paintings and wants some of that action. "Bill" is thinking of quitting his job, leaving his wife, and going to live on an island for six months and just paint. In other words, he's Paul Gauguin. Robert said his recommendation was to take a leave of absence for six months and see if that's what the guy really wanted to do. The question to us was, what would we say? And, of course, I had something to pitch in. Here's what I said:
"Robert, your advice to "Bill" to take a leave of absence was good. "Bill" is obviously unhappy with his current situation and searching for something better. However, he doesn't have a clue to what it's like in the real art world.
Like many of your readers, I'm on my second career. I was a Navy officer for 22 years. My move into art was carefully planned: I studied with private artists and at Maryland Institute College of Art's continuing ed classes while on active duty. After retiring, I earned a BFA from a university with a very strong fine arts program. I've been an "emerging" artist since graduating three years ago, working my tail off to make paintings, get them in shows, and market like crazy. My studio is still in the red, however, and probably will be for another couple of years. It's a good thing that I have my military retirement and my wife has a good job. Without this support system, I couldn't have made it. Or I wouldn't be painting what I want to paint, which to me is the same thing.
To be monetarily successful in the art world, it seems like you have to be very talented and/or skilled (they're not the same thing), you have to create something that a lot of people want to buy, you have to have a great promotional system, you have to work your tail off, and you need a good bit of luck.
To be personally successful, you need to find a way of working that satisfies your inner demons. To do that, you have to be willing to ask yourself some really hard questions about who you are and what is important to you. And you have to answer them honestly, whatever the real answers are. Even then, you haven't even started the issue of making a living at it.
And regardless of whether you're striving for personal or monetary success, six months ain't gonna do it. That period might give him an idea of what it's like to really focus on something, and he might be able to build up a body of work. But he'll be just barely getting started: being a successful artist requires way, way, WAY more than that.
Before throwing everything away, "Bill" needs to understand what he's really getting into. Otherwise, he may as well try to make a million as the lead singer in a rock and roll band."
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