I went back and revised it. The reason was that the five boys competed for attention with the bullet-blasted wall, and there wasn't a single center of interest. It was like I couldn't make up my mind: which was more important pictorally, the wall or the kids? So I painted out four of the five boys. Now it feels in harmony. The wall is the dominant feature: it tells the real story of what happened there. The boy is in a supporting role, telling about how life is returning. Actually, the weeds are in a supporting role, too: they say that the fighting has been over for a while.
So here's the new version:

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